TriTone Digital HYDRATONE VST AU RTAS 1 50 MAC OSX UB
HydraTone is a mix oriented parametric EQ that utilizes state of the art
modeling to provide analog EQ flavor with digital precision.
HydraTone allows for band by band selection of individual EQ algorithms
modeled from world class analog EQs.
Additionally, HydraTone provides unique expansion and cut capable filters,
frequency specific phase rotation and correction, a separate output signal
path model and a unique and complex signal warming algorithm called Fire.
Features
Bass Fixed width EQ with boost/cut by 12 dB from 25 Hz to 1.15 kHz.
Bass Filter Variable filter with the ability to change from low cut to low
expansion, creating unique low end curves. Range is 14Hz to 1.1 kHz.
Lo Mid, Mid and Hi Mid Parametric Three band true parametric middle section
except 550 which is fixed width with boost/cut by 12 dB. Frequency ranges
are 50 Hz 2.5 kHz, 110 Hz 10 kHz and 466 Hz 14 kHz.
Treble Fixed width EQ with boost/cut by 12 dB from 830 Hz to 22 kHz.
Treble Filter Variable filter with the ability to change from treble cut to
treble expansion, creating unique high end curves. Range is 1.7 kHz to 20 kHz.
Phase Frequency specific phase rotation and correction like popular hardware
boxes that correct the phase between signal pairs. Additionally, the phase
section provides the ability to blend the phase corrected material with the
original source audio for more EQ like manipulations.
Fire A unique and complex algorithm that utilizes the color from the main
output color, blended with special warm tube circuit model.
Blast Tus your FIRE into a blazing infeo with compression for aggressive
punch.
Main Output Color A separate output signal path model, allowing for
additional creative coloring.
L / L+R Allows manual control over the number of active channels to conserve
CPU. This is only necessary on platforms that do not automatically lower the
CPU usage when used on mono tracks.
Out Controls the final output level.
tritonedigital
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miercuri, 28 februarie 1996
duminică, 25 februarie 1996
TriTone Digital COLORTONE PRO VST AU RTAS 1 53 MAC OSX UB
TriTone Digital COLORTONE PRO VST AU RTAS 1 53 MAC OSX UB
ColorTone Pro is a Tone Box which simulates the signal path of analog devices
through the use of convolution and various proprietary non linear processes.
ColorTone Pro is designed to provide analog like character and flavor to the
mode digital audio workstation.
ColorTone Pro comes with a collection of classic studio models, including
samples from world class tape machines, EQs and mixing consoles.
ColorTone Pro also allows you to load your own samples instructions for
sampling your own equipment are included and provides you with our custom
coded Warmth algorithm to enhance the signal path with extra harmonic
goodness.
Additionally, ColorTone Pro allows you to multiply the color of the selected
circuit, increasing the color from the standard character to several times the
original color.
Features
Warmth Adds additional, pleasing harmonic content to the signal. Negative
settings "thin" the signal.
Color Multiplies the intensity of the original IR color from natural to
several times greater. Negative settings reverse the color.
Norm Mode Norm mode is straight modeling 100 wet. The intensity is set by
the Color control.
Blend Mode In blend mode, a cross fade is calculated in real time between the
dry original and the wet convoluted signals.
The ratio of these signals, as a result of this cross fade, is based on the
amplitude of your input signal.
The hotter the input signal, the more color in the final result, as the cross
fade will tend more towards the wet signal.
That s pretty cool already, but heres something even better!
By changing the strength of the .wet. signal, you can reshape the dynamics of
your audio!
If the wet signal is lower than the dry signal this is usually the case when
the top of the frequency curve is below the upper middle portion of the
frequency graph, youre tuing the plugin into a compressor!
If the wet signal is higher than the dry signal this is usually the case when
the top of the frequency curve is above the upper middle portion of the
frequency graph, youre tuing the plugin into an expander!
And this compression or expansion is oh so nice and colored!
Knee User selectable knee options for blend mode operation.
In Controls the main input level.
Out Controls the main output level.
The "Lock" When The Lock is on, the output knob automatically compensates for
the gain setting of the input knob.
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ColorTone Pro is a Tone Box which simulates the signal path of analog devices
through the use of convolution and various proprietary non linear processes.
ColorTone Pro is designed to provide analog like character and flavor to the
mode digital audio workstation.
ColorTone Pro comes with a collection of classic studio models, including
samples from world class tape machines, EQs and mixing consoles.
ColorTone Pro also allows you to load your own samples instructions for
sampling your own equipment are included and provides you with our custom
coded Warmth algorithm to enhance the signal path with extra harmonic
goodness.
Additionally, ColorTone Pro allows you to multiply the color of the selected
circuit, increasing the color from the standard character to several times the
original color.
Features
Warmth Adds additional, pleasing harmonic content to the signal. Negative
settings "thin" the signal.
Color Multiplies the intensity of the original IR color from natural to
several times greater. Negative settings reverse the color.
Norm Mode Norm mode is straight modeling 100 wet. The intensity is set by
the Color control.
Blend Mode In blend mode, a cross fade is calculated in real time between the
dry original and the wet convoluted signals.
The ratio of these signals, as a result of this cross fade, is based on the
amplitude of your input signal.
The hotter the input signal, the more color in the final result, as the cross
fade will tend more towards the wet signal.
That s pretty cool already, but heres something even better!
By changing the strength of the .wet. signal, you can reshape the dynamics of
your audio!
If the wet signal is lower than the dry signal this is usually the case when
the top of the frequency curve is below the upper middle portion of the
frequency graph, youre tuing the plugin into a compressor!
If the wet signal is higher than the dry signal this is usually the case when
the top of the frequency curve is above the upper middle portion of the
frequency graph, youre tuing the plugin into an expander!
And this compression or expansion is oh so nice and colored!
Knee User selectable knee options for blend mode operation.
In Controls the main input level.
Out Controls the main output level.
The "Lock" When The Lock is on, the output knob automatically compensates for
the gain setting of the input knob.
tritonedigital
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vineri, 23 februarie 1996
TriTone Digital CLASSICTONE 56 VST AU RTAS 1 10 MAC OSX UB
TriTone Digital CLASSICTONE 56 VST AU RTAS 1 10 MAC OSX UB
ClassicTone 560 is a true to the original recreation of one of the best
sounding graphic EQs ever made. These graphic EQs are found in consoles and
lunch boxes around the world and are prized for their punchiness and girth
ClassicTone 560 features 10 bands. From low to high the bands are: 31 Hz, 63
Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz. All bands
are capable of 12 dB of boost or cut.
We have made every effort to preserve the unique character of this classic EQ.
All of the in your gut mid punch, character and idiosyncrasies that we love
about these analog EQs are now finally available in the digital world!
Features
Bands Ten independent bands. From low to high the bands are: 31 Hz, 63 Hz,
125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz.
Gain Fader Adjusts the gain between 12 dB and +12 dB.
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ClassicTone 560 is a true to the original recreation of one of the best
sounding graphic EQs ever made. These graphic EQs are found in consoles and
lunch boxes around the world and are prized for their punchiness and girth
ClassicTone 560 features 10 bands. From low to high the bands are: 31 Hz, 63
Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz. All bands
are capable of 12 dB of boost or cut.
We have made every effort to preserve the unique character of this classic EQ.
All of the in your gut mid punch, character and idiosyncrasies that we love
about these analog EQs are now finally available in the digital world!
Features
Bands Ten independent bands. From low to high the bands are: 31 Hz, 63 Hz,
125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz.
Gain Fader Adjusts the gain between 12 dB and +12 dB.
tritonedigital
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marți, 20 februarie 1996
TriTone Digital ANGELTONE VST AU RTAS 1 10 MAC OSX UB
TriTone Digital ANGELTONE VST AU RTAS 1 10 MAC OSX UB
AngelTone is a digital mastering EQ that utilizes state of the art modeling to
combine analog mastering EQ sweetness with digital precision and recall.
AngelTone features five bands. Three bands are capable of full range
parametric operation. The two extreme bands feature both full range peaking
and shelving EQ modes. All parametric and peaking bands have access to the
entire range of EQ frequencies available in AngelTone, allowing for
unprecedented sculpting and precision.
AngelTone, like its mix oriented brother HydraTone, allows for band by band
selection of EQ algorithms.
This unique TriTone Digital concept allows you to use, for example, the color
and charm of the "Massy" on the top end and the strength and heft of a "Sonny"
on the bottom.
AngelTone features four classic EQ models. These algorithms are derived from
the very best analog EQs used in mastering studios the world over.
"Milly" is a sweet but precise tube EQ. "Sonny" is based on one of the
oldest parametric EQ designs and has a tight solid state low end that
mastering engineers adore. "Avy" is based on solid state EQ favored for its
clarity and openness. "Massy" is based on a mode beast of a tube EQ that is
noted for its sweet sound and broad curves.
We have made every effort to preserve the unique character of each EQ model.
All of the sweetness, character and idiosyncrasies that we love about these
analog EQs are now finally available in the digital world!
Features
Four Models Four classic analog mastering EQ models. "Milly" is a sweet but
precise tube EQ. "Sonny" is based on one of the oldest parametric EQ designs
and has a tight solid state low end that mastering engineers adore. "Massy"
is based on a mode beast of a tube EQ that is noted for its sweet sound and
broad curves. "Avy" is based on solid state EQ favored for its clarity and
openness.
Bass Fixed width peaking or shelving operation with boost/cut by 12 dB.
Peaking center frequency and shelving tuover frequencies are dependent on
the model selected.
Lo Mid, Mid and Hi Mid Parametric Three band true parametric middle section
with boost/cut by 12 dB. Frequency range is 36 Hz 21,096 Hz and is identical
for all three bands.
Treble Fixed width peaking or shelving operation with boost/cut by 12 dB.
Peaking center frequency and shelving tuover frequencies are dependent on
the model selected.
Out Controls the final output level.
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AngelTone is a digital mastering EQ that utilizes state of the art modeling to
combine analog mastering EQ sweetness with digital precision and recall.
AngelTone features five bands. Three bands are capable of full range
parametric operation. The two extreme bands feature both full range peaking
and shelving EQ modes. All parametric and peaking bands have access to the
entire range of EQ frequencies available in AngelTone, allowing for
unprecedented sculpting and precision.
AngelTone, like its mix oriented brother HydraTone, allows for band by band
selection of EQ algorithms.
This unique TriTone Digital concept allows you to use, for example, the color
and charm of the "Massy" on the top end and the strength and heft of a "Sonny"
on the bottom.
AngelTone features four classic EQ models. These algorithms are derived from
the very best analog EQs used in mastering studios the world over.
"Milly" is a sweet but precise tube EQ. "Sonny" is based on one of the
oldest parametric EQ designs and has a tight solid state low end that
mastering engineers adore. "Avy" is based on solid state EQ favored for its
clarity and openness. "Massy" is based on a mode beast of a tube EQ that is
noted for its sweet sound and broad curves.
We have made every effort to preserve the unique character of each EQ model.
All of the sweetness, character and idiosyncrasies that we love about these
analog EQs are now finally available in the digital world!
Features
Four Models Four classic analog mastering EQ models. "Milly" is a sweet but
precise tube EQ. "Sonny" is based on one of the oldest parametric EQ designs
and has a tight solid state low end that mastering engineers adore. "Massy"
is based on a mode beast of a tube EQ that is noted for its sweet sound and
broad curves. "Avy" is based on solid state EQ favored for its clarity and
openness.
Bass Fixed width peaking or shelving operation with boost/cut by 12 dB.
Peaking center frequency and shelving tuover frequencies are dependent on
the model selected.
Lo Mid, Mid and Hi Mid Parametric Three band true parametric middle section
with boost/cut by 12 dB. Frequency range is 36 Hz 21,096 Hz and is identical
for all three bands.
Treble Fixed width peaking or shelving operation with boost/cut by 12 dB.
Peaking center frequency and shelving tuover frequencies are dependent on
the model selected.
Out Controls the final output level.
tritonedigital
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duminică, 18 februarie 1996
Sorenson Squeeze 5 0 and Sorenson Video 3 3 Pro Codec for Mac
Sorenson Squeeze 5 0 and Sorenson Video 3 3 Pro Codec for Mac
Squeeze 5 is the latest version of Sorenson Media.s award winning compression and encoding software. In only three quick steps users can select, pre process, and compress video for output in a variety of formats and publish directly to websites or bu to DVD. Offering best in class workflows, the highest quality audio video codecs, simultaneous multi file encoding, and optimized filter presets, along with an unmatched level of automation. Squeeze requires no in depth knowledge of compression formats and allows users to work faster without compromising quality.
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Squeeze 5 is the latest version of Sorenson Media.s award winning compression and encoding software. In only three quick steps users can select, pre process, and compress video for output in a variety of formats and publish directly to websites or bu to DVD. Offering best in class workflows, the highest quality audio video codecs, simultaneous multi file encoding, and optimized filter presets, along with an unmatched level of automation. Squeeze requires no in depth knowledge of compression formats and allows users to work faster without compromising quality.
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joi, 15 februarie 1996
Sample Modeling Mr Sax 1 0 VSTi RTAS AU MAC OSX UB
Sample Modeling Mr Sax 1 0 VSTi RTAS AU MAC OSX UB
Mr. Sax T. employs an entirely new technology, developed by Stefano
Lucato when it became clear that all the previously applied approaches
simply could not do. The technical name is Synchronous Wave
Triggering. It uses samples as a base material, chromatically
performed by a professional sax player over a very wide dynamic range,
and recorded with state of the art technology. The resulting timbre is
therefore that of the real instrument. But the analogy with a sample
based library ends here. The underlying, proprietary technology allows
continuous interpolation among different vectors like time, dynamics,
pitch and formants. Advanced real time processing techniques yield
realistic legato/portamento, vibrato, oamentations trills with
phase continuity, constant formant pitchbends, subharmonics, growl and
flutter tongue to be performed in real time.
Like the Trumpet, Mr. Sax T is not a library, and no additional
sampler or player is needed. Mr. Sax T. is a Kontakt Player 2 Virtual
Instrument, working either standalone, or as a plugin VST or RTAS for
the PC, and VSR, RTAS or AU for Mac. It employs and requires
state of the art technology. The instrument has been developed and
thoroughly tested on a PC with IntelCore2 6600 2.40 Ghz, 2GB RAM,
Windows XP, 2 SATA drives, a 24 bit audio card with low latency <7
msec ASIO drivers, with a CPU load of approximately 5 7. It also
works satisfactorily on less powerful systems. More detailed
information about tested systems can be found under benchmarks.
A master keyboard with some configurable MIDI controllers, pitchwheel,
modwheel, and an expression pedal or breath controller is required
for real time playing. Virtually any type of windcontroller can also
be used to play this instrument.
If real time playing is not contemplated you will miss a great fun
though :, using a sequencer may obviate the need for several physical
midi controllers, while maintaining full control of the instruments
expressiveness. Mr. Sax T. has been thoroughly tested on most common
sequencers, like Cubase, Logic and Sonar.
samplemodeling/en/products_sax.php
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Mr. Sax T. employs an entirely new technology, developed by Stefano
Lucato when it became clear that all the previously applied approaches
simply could not do. The technical name is Synchronous Wave
Triggering. It uses samples as a base material, chromatically
performed by a professional sax player over a very wide dynamic range,
and recorded with state of the art technology. The resulting timbre is
therefore that of the real instrument. But the analogy with a sample
based library ends here. The underlying, proprietary technology allows
continuous interpolation among different vectors like time, dynamics,
pitch and formants. Advanced real time processing techniques yield
realistic legato/portamento, vibrato, oamentations trills with
phase continuity, constant formant pitchbends, subharmonics, growl and
flutter tongue to be performed in real time.
Like the Trumpet, Mr. Sax T is not a library, and no additional
sampler or player is needed. Mr. Sax T. is a Kontakt Player 2 Virtual
Instrument, working either standalone, or as a plugin VST or RTAS for
the PC, and VSR, RTAS or AU for Mac. It employs and requires
state of the art technology. The instrument has been developed and
thoroughly tested on a PC with IntelCore2 6600 2.40 Ghz, 2GB RAM,
Windows XP, 2 SATA drives, a 24 bit audio card with low latency <7
msec ASIO drivers, with a CPU load of approximately 5 7. It also
works satisfactorily on less powerful systems. More detailed
information about tested systems can be found under benchmarks.
A master keyboard with some configurable MIDI controllers, pitchwheel,
modwheel, and an expression pedal or breath controller is required
for real time playing. Virtually any type of windcontroller can also
be used to play this instrument.
If real time playing is not contemplated you will miss a great fun
though :, using a sequencer may obviate the need for several physical
midi controllers, while maintaining full control of the instruments
expressiveness. Mr. Sax T. has been thoroughly tested on most common
sequencers, like Cubase, Logic and Sonar.
samplemodeling/en/products_sax.php
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marți, 13 februarie 1996
Pointwise 16 02 R1 MACOSX
Pointwise 16 02 R1 MACOSX
Pointwise is a software solution to the top
problemfacingengineering analysts: mesh generation
forcomputationalfluids dynamics CFD. The Reliable
CFDMeshing YouTrust... Quality We designed Pointwise
sousers could be incontrol, not the system. Whether your
gridis structured,unstructured, or hybrid, Pointwise
useshigh qualitytechniques with powerful controls so you
canachieveaccurate and reliable results while
reducingcomputerresources required. Flexibility Pointwise
offersthe best of both worlds:advanced automation, as well
asflexible manual controls forthose times when only
humanintervention can create theoutcome you demand. Its
theworkhorse that gets youconfidently from dealing
withless than perfect CAD toformatting the grid for your
flowsolver. Service Our commitment to your success is
onlybeginningwith your Pointwise license. Whether you
encounteratechnical issue or just need advice to get the
mostfromPointwise, our industry tested engineers are ready
tohelp.We generate more than just grids we also
buildlong termrelationships.
pointwise
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Pointwise is a software solution to the top
problemfacingengineering analysts: mesh generation
forcomputationalfluids dynamics CFD. The Reliable
CFDMeshing YouTrust... Quality We designed Pointwise
sousers could be incontrol, not the system. Whether your
gridis structured,unstructured, or hybrid, Pointwise
useshigh qualitytechniques with powerful controls so you
canachieveaccurate and reliable results while
reducingcomputerresources required. Flexibility Pointwise
offersthe best of both worlds:advanced automation, as well
asflexible manual controls forthose times when only
humanintervention can create theoutcome you demand. Its
theworkhorse that gets youconfidently from dealing
withless than perfect CAD toformatting the grid for your
flowsolver. Service Our commitment to your success is
onlybeginningwith your Pointwise license. Whether you
encounteratechnical issue or just need advice to get the
mostfromPointwise, our industry tested engineers are ready
tohelp.We generate more than just grids we also
buildlong termrelationships.
pointwise
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sâmbătă, 10 februarie 1996
OhmForce Symptohm Melohman VSTi AU RTAS 1 21 MAC OSX UB
OhmForce Symptohm Melohman VSTi AU RTAS 1 21 MAC OSX UB
At a time when every vaguely creative synth seems to have been designed with
only the mathematically gifted in mind, Symptohm: Melohman is here to remind
the world that great music comes not from cold calculation but from passion.
Unlike other synths, bound to rigid curves and predetermined behaviour,
Symptohm responds to your touch, enabling you to control every aspect of the
sound you create in a most natural, intuitive and musical way. More sonic
control than you ever thought possible is now, quite literally, at your
fingertips.
Symptohm: Melohman offers a palate like you have never encountered before,
giving you the scope to create your own unique sound. From spectacular pads to
heavy bass, unreal drumkits and strange ambient textures, your playing style
will define your sound. This unique and powerful new form of synthesis
features ultra flexible routing, FX support from the acclaimed Quad Frohmage
filter bank, and an innovative matrix, which can be controlled via midi. Use
the Melohman as an outrageously powerful modulation controller, or let it
adapt itself to your playing style. Either way, you wont be able to keep your
hands off it.
Symptohm: Melohman has been brought lovingly into this world to open musical
doors, put the passion back into music making and ensure that, above all,
music is fun. If you are bored with synths, this will revive your flagging
spirits. If, on the other hand, youre a synth addict, you may want to check
with your doctor in case the excitement proves too much. Whatever your state
of mind, if you are a musician, you will be inspired.
Features:
Two unique sample based SyncGrain synthesis Polyphonic or mono timbral,
depending on preference. Create a morphing oscillator out of any sample, and
even use multi samples to create drumkits!
Adaptable sub oscillator brightness based on SyncGrain spectral content, a
stereo noise generator, a ring modulator per voice. Also features inter voice
ring modulation.
Dynamic routing of the signal into the Quad Frohmage filter bank with loads
of filter types, distortion, band delay and everything else you would expect.
Extensive modulation options one LFO + one xADSR per parameter + MIDI for
almost every parameter.
Output signal limiter.
Approachable, straightforward user interface: large integrated file browser
with easy file management facilities, a thousand parameters instantly
accessible across just two panels, and the usual Ohm Force selection system,
flying faders and velocity simulation on the graphic keyboard.
Over 30 Meta Patches included, each of them with its own complex MIDI
behaviour, 12 patches to morph with and the designers comments to help you
lea how to use them to their full potential. First major Meta Patches
release as a free bonus.
Useful presets instant variable transitions where all the parameters switch
from the old value to the new one in a ballet you wont forget!
MIDI automation with Auto Bind.
Fast configuration Save MIDI configurations.
Tempo synchronization.
High quality DSP algorithm.
Sampling rate up to 384 kHz.
Revolutionary graphic user interface.
Move several buttons at once, with group selection and side click.
ohmforce
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At a time when every vaguely creative synth seems to have been designed with
only the mathematically gifted in mind, Symptohm: Melohman is here to remind
the world that great music comes not from cold calculation but from passion.
Unlike other synths, bound to rigid curves and predetermined behaviour,
Symptohm responds to your touch, enabling you to control every aspect of the
sound you create in a most natural, intuitive and musical way. More sonic
control than you ever thought possible is now, quite literally, at your
fingertips.
Symptohm: Melohman offers a palate like you have never encountered before,
giving you the scope to create your own unique sound. From spectacular pads to
heavy bass, unreal drumkits and strange ambient textures, your playing style
will define your sound. This unique and powerful new form of synthesis
features ultra flexible routing, FX support from the acclaimed Quad Frohmage
filter bank, and an innovative matrix, which can be controlled via midi. Use
the Melohman as an outrageously powerful modulation controller, or let it
adapt itself to your playing style. Either way, you wont be able to keep your
hands off it.
Symptohm: Melohman has been brought lovingly into this world to open musical
doors, put the passion back into music making and ensure that, above all,
music is fun. If you are bored with synths, this will revive your flagging
spirits. If, on the other hand, youre a synth addict, you may want to check
with your doctor in case the excitement proves too much. Whatever your state
of mind, if you are a musician, you will be inspired.
Features:
Two unique sample based SyncGrain synthesis Polyphonic or mono timbral,
depending on preference. Create a morphing oscillator out of any sample, and
even use multi samples to create drumkits!
Adaptable sub oscillator brightness based on SyncGrain spectral content, a
stereo noise generator, a ring modulator per voice. Also features inter voice
ring modulation.
Dynamic routing of the signal into the Quad Frohmage filter bank with loads
of filter types, distortion, band delay and everything else you would expect.
Extensive modulation options one LFO + one xADSR per parameter + MIDI for
almost every parameter.
Output signal limiter.
Approachable, straightforward user interface: large integrated file browser
with easy file management facilities, a thousand parameters instantly
accessible across just two panels, and the usual Ohm Force selection system,
flying faders and velocity simulation on the graphic keyboard.
Over 30 Meta Patches included, each of them with its own complex MIDI
behaviour, 12 patches to morph with and the designers comments to help you
lea how to use them to their full potential. First major Meta Patches
release as a free bonus.
Useful presets instant variable transitions where all the parameters switch
from the old value to the new one in a ballet you wont forget!
MIDI automation with Auto Bind.
Fast configuration Save MIDI configurations.
Tempo synchronization.
High quality DSP algorithm.
Sampling rate up to 384 kHz.
Revolutionary graphic user interface.
Move several buttons at once, with group selection and side click.
ohmforce
BUY OhmForce Symptohm Melohman VSTi AU RTAS 1 21 MAC OSX UB 20$
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miercuri, 7 februarie 1996
OhmForce QuadFrohmage PRO VST AU RTAS 1 31 MAC OSX UB
OhmForce QuadFrohmage PRO VST AU RTAS 1 31 MAC OSX UB
A Four filters unit that you can assemble in every possible way.
30 filter modes for each of those filters.
Advanced LFO module with 10 LFO types, Sample and Hold and smoothness control.
Advanced Envelope Follower module with Attack, Hold and Release settings.
Advanced XADSR module with and extra Sustain time parameter and an incredibly
handy Sensitivity setting.
Apply those modulators to any parameter you want even the three at the same
time, using a factor from 1 to +1.
Easy BPM synchronization for all the modulation parameters not only LFO but
actually any parameter related to time like ... say ... attack ... decay ...
do you get it ?.
Handful Copy and Paste feature to duplicate modulation parameters.
Advanced GUI full of live dedicated features, such as flying knobs, preset
morphing, and grouped parameters...
Advanced MIDI support with autobind feature and fast configuration.
Modulation can even been driven by a MIDI keyboard, with either velocity or
tone. In this last case, you have the possibility to adjust the frequency of
the filter to the corresponding note.
ohmforce
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A Four filters unit that you can assemble in every possible way.
30 filter modes for each of those filters.
Advanced LFO module with 10 LFO types, Sample and Hold and smoothness control.
Advanced Envelope Follower module with Attack, Hold and Release settings.
Advanced XADSR module with and extra Sustain time parameter and an incredibly
handy Sensitivity setting.
Apply those modulators to any parameter you want even the three at the same
time, using a factor from 1 to +1.
Easy BPM synchronization for all the modulation parameters not only LFO but
actually any parameter related to time like ... say ... attack ... decay ...
do you get it ?.
Handful Copy and Paste feature to duplicate modulation parameters.
Advanced GUI full of live dedicated features, such as flying knobs, preset
morphing, and grouped parameters...
Advanced MIDI support with autobind feature and fast configuration.
Modulation can even been driven by a MIDI keyboard, with either velocity or
tone. In this last case, you have the possibility to adjust the frequency of
the filter to the corresponding note.
ohmforce
BUY OhmForce QuadFrohmage PRO VST AU RTAS 1 31 MAC OSX UB 20$
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luni, 5 februarie 1996
OhmForce Predatohm PRO VST AU RTAS 1 41 MAC OSX UB
OhmForce Predatohm PRO VST AU RTAS 1 41 MAC OSX UB
Predatohm is an effect plug in that has been fully designed from a simple fact
: sometimes you need to make BIG, PHAT, WILD and WARM sounds.
First " user friendly " multiband compressor/expandor ever.
Choose your weapon : Multiband distortion, with many distortion schemes
available.
Warm, bright sound with the guitar feedback generator.
Quick and efficient sound shaping provided by the tone setting.
Make it wide with the Stereo Expander.
Optional High Quality rendering.
Integrated preset morphing solution.
MIDI Automation : control your Predatohm via MIDI
ohmforce
BUY OhmForce Predatohm PRO VST AU RTAS 1 41 MAC OSX UB 20$
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Predatohm is an effect plug in that has been fully designed from a simple fact
: sometimes you need to make BIG, PHAT, WILD and WARM sounds.
First " user friendly " multiband compressor/expandor ever.
Choose your weapon : Multiband distortion, with many distortion schemes
available.
Warm, bright sound with the guitar feedback generator.
Quick and efficient sound shaping provided by the tone setting.
Make it wide with the Stereo Expander.
Optional High Quality rendering.
Integrated preset morphing solution.
MIDI Automation : control your Predatohm via MIDI
ohmforce
BUY OhmForce Predatohm PRO VST AU RTAS 1 41 MAC OSX UB 20$
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vineri, 2 februarie 1996
OhmForce Ohmicide PRO VST AU RTAS 1 23 MAC OSX UB
OhmForce Ohmicide PRO VST AU RTAS 1 23 MAC OSX UB
Based on Predatohms design, Ohmicide:Melohman is organized around up to four
frequency bands, each of them coming with their own Noise Gate, Dynamic,
Distortion, Feedback Generator and all mixing abilities with just a twist of
pre and post processing distort input, high shelf output....
The DSP is 100 different from Predatohm: the compressor/expander works
differently to fit well with both the very sharp Noise Gate and the huge
amount of new distortions. Those are at the core of Ohmicide. Theyre designed
to offer pretty much everything you can think of next to a lot of things you
cant. Some, like the tasty "Porridge" distortion sounds deliciously analog,
while the "Fractal" one is harsh and digital as hell. Or youve got the very
dense "Accumulator" that can add low harmonics instead of high.
All of these distortions are mainly new breeds yet the classics are also
covered. They all are declined ? in three variations: normal, ampsim and
odd. The "Odd" one gives you control over the harmonics frequency and allows
for slightly detuned distortion. Last but not least, Ohm Force has added a
disto type that was missing from Predatohm... No distortion. It was an
absolute need, considering how many things can be done just by using the
multiband dynamics!
Predatohm addicts will be happy to know that not only does Ohmicide:Melohman
include a feedback generator on each band, but that it can be spread in
stereo.
Already known to Symptohm:Melohman and Minimonsta:Melohman users, Melohman is
a set of features dedicated to live action. It allows you to morph between
presets or randomize the sound in an intuitive, organic way. Just plug a MIDI
keyboard in to your computer and play notes to go from one sound to another at
a velocity sensitive speed.
For the first time it is included on an effect. Testing shows good results for
anything that involves live mix/remix as well as being efficient in a
production situation. Also used in a MIDI patte logic its a very powerful
tool for loop manglers.
Ohmicide:Melohman launches a brand new design line for Ohm Force products.
Only one skin! However they may deliver variations in the future.
Things to know about the interface:
Pre rendered in 3D sorry, no real fancy hardware to play with. Your fingers
would be too big anyway.
Improved graphic libraries with motion blur on the knobs. Not an "in your
face" improvement but important for the looknfeel.
Extra legend appears when you select a parameter.
All in one view no panels.
Real time monitoring of input and output spectrum for accurate reading of
"what the hell is happening?".
Graphical feedback on each band. Spectacular when using Melohman.
Pop up scary pictures of Plum Force at launch Lets hope not!.
ohmforce
BUY OhmForce Ohmicide PRO VST AU RTAS 1 23 MAC OSX UB 20$
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Based on Predatohms design, Ohmicide:Melohman is organized around up to four
frequency bands, each of them coming with their own Noise Gate, Dynamic,
Distortion, Feedback Generator and all mixing abilities with just a twist of
pre and post processing distort input, high shelf output....
The DSP is 100 different from Predatohm: the compressor/expander works
differently to fit well with both the very sharp Noise Gate and the huge
amount of new distortions. Those are at the core of Ohmicide. Theyre designed
to offer pretty much everything you can think of next to a lot of things you
cant. Some, like the tasty "Porridge" distortion sounds deliciously analog,
while the "Fractal" one is harsh and digital as hell. Or youve got the very
dense "Accumulator" that can add low harmonics instead of high.
All of these distortions are mainly new breeds yet the classics are also
covered. They all are declined ? in three variations: normal, ampsim and
odd. The "Odd" one gives you control over the harmonics frequency and allows
for slightly detuned distortion. Last but not least, Ohm Force has added a
disto type that was missing from Predatohm... No distortion. It was an
absolute need, considering how many things can be done just by using the
multiband dynamics!
Predatohm addicts will be happy to know that not only does Ohmicide:Melohman
include a feedback generator on each band, but that it can be spread in
stereo.
Already known to Symptohm:Melohman and Minimonsta:Melohman users, Melohman is
a set of features dedicated to live action. It allows you to morph between
presets or randomize the sound in an intuitive, organic way. Just plug a MIDI
keyboard in to your computer and play notes to go from one sound to another at
a velocity sensitive speed.
For the first time it is included on an effect. Testing shows good results for
anything that involves live mix/remix as well as being efficient in a
production situation. Also used in a MIDI patte logic its a very powerful
tool for loop manglers.
Ohmicide:Melohman launches a brand new design line for Ohm Force products.
Only one skin! However they may deliver variations in the future.
Things to know about the interface:
Pre rendered in 3D sorry, no real fancy hardware to play with. Your fingers
would be too big anyway.
Improved graphic libraries with motion blur on the knobs. Not an "in your
face" improvement but important for the looknfeel.
Extra legend appears when you select a parameter.
All in one view no panels.
Real time monitoring of input and output spectrum for accurate reading of
"what the hell is happening?".
Graphical feedback on each band. Spectacular when using Melohman.
Pop up scary pictures of Plum Force at launch Lets hope not!.
ohmforce
BUY OhmForce Ohmicide PRO VST AU RTAS 1 23 MAC OSX UB 20$
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